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The Legacy of Androva Series


“Where there is no imagination, there is no horror.”

― Arthur Conan Doyle


Halloween is almost here, and the creeping shadows and chilly mists of autumn create the perfect backdrop if you’re in the mood to read a few scary stories. There is something magical about October in the fiery colours of the leaves and the golden sunshine that hasn’t quite lost the warmth of summer. But there’s also a sense of foreboding. Very soon, the leaves are going to fall. The days will become shorter. And anything that might be hiding in the darkness will have a lot more freedom.


Today’s blog post is the latest in my Five Fairy Tales series. Two years ago, I chose Beauty and the Beast. Last year, it was Rapunzel. This year, each of the five retellings is different, and because it’s Halloween, they’re all on the darker side.


I think it’s fair to say that most traditional fairy tales started out a little dark. Here are a few examples from the original versions…


It isn’t Snow White’s stepmother but her biological mother who becomes jealous of her daughter’s beauty. When the huntsman returns from the forest carrying what is supposed to be Snow White’s heart, her mother actually goes right ahead and eats it. And when Snow White marries the prince, he forces her mother to dance herself to death in red-hot slippers in front of all of the guests. Not the wedding entertainment you might expect from a fairy tale!


The story of Sleeping Beauty doesn’t end when she wakes up. She goes on to have two children with the prince, and it turns out that the prince’s mother isn’t happy about her new grandchildren. At all. She waits until the prince is away, then she orders her cook to kill the children and serve them for dinner. In an alternate version, the prince is already married, and it’s the prince’s wife who orders the cook to serve the children for dinner… to the prince. Fortunately, in both cases, the children are saved, and the guilty parties are punished. The wife is burned alive, while the mother-in-law is eaten by a barrelful of vipers.


And finally, Cinderella’s stepmother isn’t the only parental figure to mistreat her. Cinderella’s father is alive and well throughout the original version, and he actively helps the stepmother in her evil schemes. Later in the story, when the prince is searching for the owner of the slipper, the stepsisters go to extraordinary lengths to make their feet fit. One cuts off her toes and the other her heel. They are found out when their blood soaks through the slipper. And at the end, the stepsisters have their eyes plucked out by a couple of Cinderella’s vengeful white doves.


I frighten pretty easily, and my imagination needs no encouragement to run away with itself. Full-on gory horror isn’t my thing, but at this time of year, I enjoy reading something a bit scarier. As long as the lights are on and I’m not alone in the house of course!


Here are my Five Scary Fairy Tales accompanied by some short extracts. Does Halloween influence your reading choices? What’s your favourite scary story? Thank you very much for visiting my blog today πŸ’•.


Asleep, by Krystal Wade

Inspired by: Sleeping Beauty

Description: Rose Briar has been committed to an asylum by her parents. Her determination to escape is undermined by terrifying nightmares that make her question her sanity, and she no longer knows what’s real. Can she trust her doctor? Or is Phillip, one of the other patients, right about the doctor’s evil intentions?

Extract (Rose’s first night in the asylum):

This isn’t real.

But the lights wouldn’t turn off.

She tried the switch five more times, ten, fifteen, before movement out in the hall caught her attention.

“Hello?” Rose called again, turning the handle and yanking. Locked. Of course. “Please. Dr. Underwood, if you’re out there, I need your help. Something’s wrong with me. I don’t feel well. Help!”

A tall, dark figure cloaked in black rose from beneath the table where she and the guy had sat earlier. Oh so tall. The figure stood there, unmoving, the cloak billowing as if being blown by a breeze.

Rose rubbed her eyes. Not real, just a dream, she kept telling herself, but she didn’t feel like she was asleep. She didn’t feel like she could wake up either.


Fathomless, by Jackson Pearce

Inspired by: The Little Mermaid

Description: Celia has the power to see a person’s past, a power that seems insignificant until the day she meets Lo. Lo used to be a human and is now a creature of the sea, clinging to the shreds of her former self even as her memories are washed away, one by one. When a boy named Jude falls off a pier, Celia and Lo work together to save him from drowning. They become friends, but their friendship is complicated by their feelings toward Jude. And Lo is desperate to reclaim her humanity by persuading Jude to love her… and stealing his soul.


Extract (before Lo meets Celia and Jude):

And then he was dead.

And nothing else had changed.

Lo stared at her hands, at her feet, waiting for the pale-blue colour to turn back to shades of peach and pink. Waiting for the urge to surface, to gulp air happily, to swim to the shore and run on the sand.

It didn’t come.

“Everyone has to try it for herself,” Ry said gently, swimming closer. The boy’s body listed on the ocean floor like seaweed. Lo felt sick; she doubled over and hid her head. “We all did. But it never works. You can’t make them love you that fast.”


Vassa in the Night, by Sarah Porter


Inspired by: Vasilisa the Beautiful

Description: Vassa lives in the enchanted kingdom of Brooklyn with her stepmother and stepsisters. The nights last a very long time in Vassa’s neighbourhood. Babs Yaga, the owner of the only store open past midnight, has a policy of beheading shoplifters—and sometimes innocent shoppers as well. When Vassa’s stepsister sends her out for lightbulbs, she knows it could easily become a suicide mission. In her pocket, Vassa carries a gift from her dead mother, a tough-talking wooden doll by the name of Erg. With Erg’s help, Vassa might have a chance of surviving the night. But Babs won’t be playing fair…


Extract (Vassa leaves for the store):

“It’s after midnight,” I tell her, moving slowly down the stairs while I’m talking. I’ve decided I don’t want Stephanie to be able to pretend later that she didn’t know. “Steph said I should go to BY’s.”

I can’t see Stephanie from here, but I can see Chelsea’s face waking with outrage as she swings around to glare at her. “Stephanie! You know she can’t do that!”

“Why not?” Stephanie’s voice falls out of the door and bangs around the stairwell, bouncing off linoleum and glossy green paint. “They only kill shoplifters at BY’s. Scummy, sneaky thieves. Why would that be a problem for Vassa?”


House of Salt and Sorrows, by Erin A. Craig


Inspired by: The Twelve Dancing Princesses

Description: In a manor by the sea, twelve sisters are cursed. Annaleigh has already lost four of her sisters, each to a death more tragic than the last. Disturbed by a series of ghostly visions, she becomes convinced that the deaths were no accidents. The girls have been sneaking out at night to attend glittering balls, dancing until dawn. She isn’t sure whether to stop them or to join them. Because who—or what—are they really dancing with?

Extract (Annaleigh describes her older sister, Octavia):

One of her favorite stories was of a girl who always wore a green ribbon around her neck. She was never seen without it, at school, at church, even on her wedding day. All the guests said she made a lovely bride but wondered why she chose to wear such a plain necklace. On her honeymoon, her husband presented her with a choker of diamonds, sparkling like mad under a starlit sky. He wanted her to wear them, and only them, when she came to bed that night. When she refused, he stalked away, upset. Later he returned to find her asleep in their big bed, naked save for the diamonds and the green ribbon. Snuggling next to her, he stealthily removed the ribbon, only to have her head roll off her body, neatly severed at the neck.

The triplets delighted in that horrid story and asked for it again and again. When Octavia died, they wrapped back crepe around their necks with ghoulish affectation.


Forest of a Thousand Lanterns, by Julie C. Dao


Inspired by: The Evil Queen

Description: Eighteen-year-old Xifeng is beautiful. The stars say that in spite of her humble peasant roots, she is destined for greatness, that she is meant to be Empress of Feng Lu. But only if she embraces the darkness within her. And to do that, she must spurn the young man who loves her and use the callous sorcery of the god whose magic flows through her veins. A magic that draws its strength from eating the hearts of the recently killed.

Extract (Xifeng encounters the serpent god):

A voice spoke inside her mind, gentle and familiar, one that had spoken at the edge of her hearing many times before but never so clearly. The moon shines down upon us, beloved…

The images melted into each other, but Xifeng could still sense Guma there, sinking to her knees with her hands outstretched in prayer… or apology.

Something shifted in Xifeng’s chest. She had heard its growl of fury earlier when she saw Ning looking at Wei, but this was something else, something new: a lazy, satisfied preening, like basking in sunlight. If she closed her eyes, she might even be able to see the creature’s spiraling coils through the cage of her own ribs.

Embrace this boundless night, the voice said tenderly.

“Leave her,” Guma hissed from where she still knelt. “Let her be!”

Xifeng felt herself falling, heard the crack of her forehead against the edge of the table. Right before she sank into unconsciousness, she thought she saw the strangest thing of all: her aunt bending over her with tears in her eyes… as though she loved her.

Xifeng closed her eyes and let the darkness take her.



“Perhaps that is the best way to say it: printed books are magical.”

— Jen Campbell

One week ago, at the Young Adult Literature Convention in London, there was definitely more than a little magic in the air ✨. A shared love of stories and the characters that bring those stories to life is a powerful thing. Not to mention the piles of stunningly beautiful booksso much choice!—alongside book-related activities and creative merchandising. And finally, the real-life authors who came along to share their writing experiences, meet their readers, and sign hundreds and hundreds of books.

YALC 2022 was the first book event I've ever attended (and hopefully not the last!). I was there on Sunday 10th July with my two daughters, and today's blog post contains my top three takeaways from an amazing day.

1️⃣ Books, books, books
I expected to leave with a few new books, but my TBR list is pretty long already, and there's a limit to how many books a person can carry, right? Well, I wildly underestimated how quickly *a few* would turn into *you're going to need a new bookshelf when you get home* πŸ˜…
But I have no regrets. YALC is basically book heaven, and here are ten reasons why:

  1. Everything is about books, and everyone you meet loves books

  2. It's the biggest and best selection of YA books I've ever seen in one place
  3. People running the publishers' stands were really helpful with recommendations. They knew everything there was to know about the books on their tables
  4. Cover art πŸ’– 

  5. Book confessions at Harper Voyager (we had a lot of fun with these ☺)

  6. Readymade Bookstagram layout at Hodderscape

  7. Lots and lots of competitions (treasure hunts, colouring, raffles...)
  8. Many of the books were signed by the author
  9. Bargain prices (think half price or less)
  10. Free proof copies

2️⃣ Authors are awesome
A couple of years ago, I wrote a blog post about Beauty and the Beast retellings and I discovered Brigid Kemmerer. Her books are awesome, and meeting her at YALC was one of the highlights of our day πŸ’™.

All of the authors we met were super friendly and patient. I guess it goes without saying that the chance to talk about your favourite characters with the person who actually created them is kind of amazing, but even so, it exceeded our expectations.

3️⃣ A little planning goes a long way

We arrived early (8.15am when the official opening time was 9.00am), and I think that really helped. Not only did we avoid the queues, but the tickets for author signings were handed out right at the beginning of the event, and some of them disappeared very fast. Also, the timetable of panels and workshops is very full, so if you know which ones you want to attend before you get there, you can schedule the rest of your day around them. Then all you have to do is enjoy the experience ☺. 

If you've found your way to my blog, you may know that I write a bit too, so I thought I'd close this post with a writing update. Averine's story (book four in Beyond Androva) is in progress, and I'm just figuring out the game of Truth or Dare that Kellan refers to in book three. Here's a small preview:

It took all of my concentration to keep my expression neutral. I wasn’t going to make this easy for him.
“I think that’s another point to me,” I said.
“What about my question?”
“I’ll consider it,” I said. “Truth or Dare.”
He stared at me for a moment. “You’re really not going to answer?”

Have you ever been to a book event like YALC? And if so, how do you manage your TBR list after discovering so many new books?! Thank you very much for visiting my blog today πŸ’•.

“An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.”

— Stephen King

Once a year, I dedicate a blog post to YA books with amazing opening lines. It's usually timed to coincide with spring because that's the season that gets off to the most dramatic start where I live! The idea is a simple one—ten books that made it onto my TBR list before I was halfway down the first page. And it doesn't matter what the cover looks like or what the description says. It's all about how the story begins.

I hope there's a book or two in my latest list that catches your eye, and thank you very much for visiting my blog today πŸ’•.

“Obligates live by three simple rules:
Never anger the fae.
Never trust the fae.
Never love the fae.
If we can honor these rules, then we have a chance. A chance to serve out the terms of our Obligations. A chance to atone for sins we don't even remember committing.

Entrancedby Sylvia Mercedes

“I was sixteen when I found out; we're all sixteen when we find out. It doesn't seem old enough. It isn't old enough, not for this. And now, at seventeen and on the eve of when it springs to life, I'm still in denial

The Programme, by I S Thorne

“In Ungardia, not even dreams were safe.
In fact, it was the one place humans and fae found themselves equal in their vulnerability. To fall asleep was to risk their minds falling to the mercy of the invading Nightwalkers; to be unaware of their chilling presence.

An Heir Comes to Rise, by C.C. PeΓ±aranda

“The thing I hate most about my father is that he hates me.
And he has good reason to.
It's something we don't talk about.

The Art of Not Breathing, by Sarah Alexander

Cinderella has been dead for two hundred years.
I've been in love with Erin for the better part of three years.
And I am about two minutes away from certain death.

Cinderella Is Dead, by Kalynn Bayron

“A black cat wove around her legs. Remy released a long-suffering sigh. Now the entire tavern would know she was a witch
She did not fear daggers or tavern spiders or the anger of drunken men. She feared being seen. For if any one of these tavern patrons knew she was a red witch, they would all be clambering over each other to cut off her head.”

“I was in all the newspapers when I was fourteen. I wasn't named, but Mum and Dad could never forgive me. I've still got the clippings, though I can't bear to read them

Baby Love, by Jacqueline Wilson

“I am at the top of a hill, and although I know I have done something terrible I have no idea what it is.
A minute or an hour ago I knew, but it has vanished from my mind, and I didn't have time to write it down so now it is lost. I know that I need to stay away, but I don't know what I am hiding from.

“This house was made for someone without a soul. So I guess it makes sense that my mother wanted it so badly. I can imagine how her eyes lit up when she walked through the five-bedroom, three-and-a-half-bath new construction. I'll bet she thinks this house is the answer to what's wrong with us

The Cheerleaders, by Kara Thomas

“There is a moment when the first spark of a fire appears and it is still possible to ignore the coming blaze.
There is no smoke tainting the air. No damage has been done.
Just a little flash that seems harmless and beautiful.”

Inker and Crown, by Megan O'Russell

“A story only matters, I suspect, to the extent that the people in the story change.”

— Neil Gaiman

Characters are the heart and soul of every story. They bring it to life, allowing the fictional world between the pages to become a part of the reader’s imagination. But more than that, characters evolve. The story is their journey.


It got me to thinking about the writing process and the importance of character arcs. Today’s blog post is a few words about my approach with examples from the Beyond Androva series. I should point out that I’m far from an expert, and no two writers will have an identical experience. Characters are endlessly diverse, unpredictable, and stubborn too! It often feels like they have their own ideas about the way they should be written.


At the start of each new book, I create a basic three-point plan for the protagonist: ⬇⬇⬇


**In this context, plan is not the same thing as a story outline. I’ve mentioned in previous posts that I’m a pantser—someone who “writes by the seat of their pants”—which means I’m not great at planning the story in advance**



I think the protagonist should be someone the reader can root for. They don’t have to be perfect—because perfection isn’t appealing or realistic!—but having a few likable traits is a good starting point. My hope is that readers will care about my protagonist(s) enough to want to find out what happens to them.


Matched in Magic (Serena): She’s brave, loyal, and creative.

Engraved in Magic (Art): He’s kind, modest, and determined.

Lost in Magic (Kellan): He’s smart, adventurous, and funny.



Every protagonist needs a few challenges. Some of the challenges are due to external circumstances while others are more internal. I guess you could call them character flaws, or maybe idiosyncrasies would be a better term! Whatever you call them, they give the reader something to empathise and/or identify with. It’s easier to become emotionally invested in a character that has room to grow, and it helps to define the starting point of their arc.


Matched in Magic (Serena): She’s impulsive. She gets frustrated with her brother’s attempts to protect her. She wants to escape her past by making a fresh start.

Engraved in Magic (Art): He’s been told his whole life that he’s less than, and he believes it. He has no autonomy. He’s scared of the future.

Lost in Magic (Kellan): He’s overconfident. He doesn’t trust anyone but himself. He’s determined not to make any friends or to let down his guard when he gets out of the Dimension Cell.



The protagonist’s journey has to be convincing. Someone shy and retiring, for example, is never going to become super confident, no matter how many challenges they successfully overcome. What they can do instead is learn how to take a few risks and trust their instincts. They can surprise themselves.

I also think it’s important the ending makes sense. Each protagonist should get the chance to defeat their opposing villain in a way that gives them closure. It wouldn’t be great to arrive at the end of the story and leave the protagonist stuck halfway through their arc.

(The character info below is deliberately cryptic to avoid spoilers…)


Matched in Magic (Serena): The people she meets in Xytovia challenge her to think and behave differently.

Engraved in Magic (Art): He discovers something about his magic that forces him to re-evaluate who he is and what he’s capable of.

Lost in Magic (Kellan): Everything he thought he knew about his past is turned on its head, and he has to reconsider the kind of person he wants to be.


If you’ve read any of the Beyond Androva books, you may or may not agree with my character assessments! Right now, I’m working on book four, and I have a brand-new protagonist. Averine’s arc is interesting to figure out because she was partway through her story when her character was introduced in Lost in Magic. That means I’m writing toward a fixed reference point, which is something I haven’t done since Galen’s book.


Do you have a favourite character arc as a reader? I would find it hard to choose because I like all kinds, as long as they end well. I’m definitely a fan of happy endings. I hope you enjoyed today’s post, and thank you very much for visiting my blog πŸ’•.