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The Legacy of Androva Series


“The books we love, they love us back. And just as we mark our places in the pages, those pages leave their marks on us.”
― Jay Kristoff

It's been twenty-four hours since the end of YALC, and I'm missing it already. Can you be nostalgic about something that's only just happened? It certainly feels that way. I figured writing an A to Z blog post all about the 2026 event would be a good distraction. 

As always, I attended YALC with my youngest daughter, and we absolutely loved this year. We met six authors, we went to a panel and a workshop that were both brilliant, and we were surrounded by beautiful books and beautiful book-related things all weekend. Our lack of shelf space kind of faded into irrelevance, and we have no regrets about the pile of books we brought home!

If you went to YALC this year, I hope you had a great time, and thank you very much for visiting my blog today 💕.

A is for ARC

Advance Reader Copies are one of the most exciting things about YALC. Most of the time it's complete chance whether you win a proof or not, and this year we were very lucky. 

Princess of Lies One princess. Two princes. A lie that could shatter the kingdom. 
The Thousand Deaths of Romeo and Juliet. Destined to love. Doomed to die. In every lifetime.
Eclipse & the Wolf Enter St. Paradise, a city pulsing with blood magic.
The Lost Life of Sylvia Song Would you love every version of me? Would you love me in every life?
Matcha & Matches One cup of matcha, a splash of rivalry, an unforgettable summer in Japan—the recipe for romance. 
Something Unpredictable Ellie Milton has never really been in love. Jane Sewell has fallen in love too many times—and always with straight girls.
The Bloodfire Oath  Magic takes more than blood. It demands your soul.

I think I'm most looking forward to reading The Thousand Deaths of Romeo and Juliet. I love Shakespeare retellings, and I can't wait to find out if Mercutio's curse ("A plague o' both your houses!") can be broken.

B is for Backdrops

All of the publishers outdid themselves this year,  making their stands stand out in the best way. 

C is for Characters

There's a lot of amazing character art on the publishers' stands. Hot Key books had some stunning examples―of course!―given the imminent release of A Conspiracy of Charming Monsters, by Holly Black and Solenne Songer. 

D is for Discounts

Cheaper books are always a Very Good Thing.
As long as you don't overestimate how many you can carry home on the busiest train ever to leave Paddington Station on a Sunday evening. (I'm not joking.) 

E is for Edges

Spredges, to be specific. They've been around for centuries in one form or another. Fore-edge painting, to give it its technical name, used to include the book's title, back in the 10th century when manuscripts were stacked with their spines facing inward.

If you like sprayed edges, then YALC was the place to be this weekend. There were works of art on almost every table.

F is for Five 

2026 was my fifth time attending YALC. This photo is from back in 2022, when YALC was held in the summer and I was still figuring out how it all worked. Four years later in 2026, the WIP might be different, but the sentiment hasn't changed!

G is for Goodie Bag

I love the design of this year's YALC tote bag ❤️

H is for Hardback

All books are beautiful, but there's something special about hardbacks. And The Locked Library are experts in making hardback books extra special! I couldn't resist this beautiful copy of Mistress of Bones
(YALC discounted pricing has a lot to answer for!)

I is for Instagram

The best place to find out what publishers have planned.

J is for Just Go With It

I mentioned in A is for ARC that winning proofs is mostly chance, but there's usually a task you have to complete as well. This could be anything from spinning a wheel, to fishing for prizes with a magnetic rod, to completing a fiendishly difficult hoop and wire game. (We didn't even make it close to halfway on that one!)

House of YA (see photo) were running a quiz with book-themed questions, and you got to trade correct answers for vault cards. Even though we weren't successful, we enjoyed the game!

K is for Kindred Spirits

Everyone attending YALC loves books, which makes for a really great atmosphere (and some amazing cosplay).

L is for Letters

The famous YALC letters!

M is for Merch

Basically, you're spoilt for choice when it comes to book-related merch. The creativity is off the charts.
N is for New

YALC is also an opportunity to discover books by new YA authors. My choice was  Spellwright by Heather Kassner, which I bought partly because of the beautiful cover, and partly because I've been meaning to read a cosy fantasy story for a change of pace. It doesn't actually come out until later this week, but that's the beauty of YALC!

O is for Organise Your Day

It helps a lot to have a plan, even if you don't stick to it religiously. This might include arriving early enough to get virtual queue tickets for the authors you want to see, or knowing which panels/workshops you want to attend so you don't lose track of time on the day(s), or making sure you bring plenty of snacks to keep your energy levels up. And also having a case with wheels (because books are heavy!). 

P is for Panel

We went to "From Adversary to Adored" with (l-r):
Shannon J. Spann A Stage Set for Villains
Petra Lord Queen of Faces
Lauryn Hamilton Murray Heir of Storms
Charlotte B. Plumb Reap & Sow
Hannah Nicole Maehrer (Chair) Assistant to the Villain

It was the best panel we've ever attended (probably because of the amazing line up!), and the hour went by far too quickly. Hannah asked what had first sparked her fellow authors' interest in the enemies to lovers trope, and answers included references to The Cruel Prince (Lauryn), Howl's Moving Castle (Shannon), Jamie and Brienne from Game of Thrones (Petra), and Anastasia (Hannah). Charlotte mentioned that she found 'reluctant allies to enemies' a very interesting concept to explore in writing. 

The discussion ranged from the importance of worldbuilding, to how connections gradually form between characters, to the process of revising a manuscript and how different the final version can be from the first draft. It was also acknowledged that writing enemies to lovers in a fantasy setting can lead to some interesting research on the part of the writer!

Q is for Queuing

YALC is a popular event, which means there is a degree of inevitability about queueing. It's mainly for author signings or to win proofs at publisher stands, and the lines are managed pretty well. The stand with the longest lines this year was definitely Electric Monkey!

R is for Romantasy

It wasn't deliberate, but almost all of the books I won or purchased this year fit into this category. It's my favourite by far, and I'm very happy to have so many options to choose from!

S is for Signings

I met Hannah Nicole Maehrer, and she signed my special edition of Assistant to the Villain. I can't wait for the fifth and final book in the series. 

Hannah mentioned it was her first time visiting the UK, and she was very complimentary about London (in spite of the grey and chilly autumn weather!). She had talked about researching frogs when she was chairing the panel before her signing slot (see P is for Panel), and I said how much I had loved reading the first Kingsley 🐸 POV chapter. 

T is for Tote Bags

I have more tote bags than I could possibly ever use, but I'm fine with that. 

U is for Upcoming

There are typically lots of samples available at YALC with fascinating previews of upcoming books. 

V is for Venue

YALC had a new London venue this year. It was held at the Hilton Metropole instead of Olympia, and there was a lot to like. Everything felt less crowded because the author signings were in a separate space, and it was still fairly central at half a mile's walk from Paddington Station. Having four levels definitely put the lifts (elevators) under a bit of pressure though.

W is for Workshop

We went to the YALC Quiz of the Year, which was hosted by author Amy McCaw. She also hosted the quiz in 2025, and we enjoyed it so much, we didn't hesitate to go back in 2026. Our scores didn't improve, but we had fun trying to figure out the answers! 

X is for eXperts

All of the information you could ever want to know about a career in writing or publishing can be found in the Industry Arena. And you only have to read Amy McCaw's journey from reader to author to understand how important and inspirational events like YALC can be.

Y is for Young Adult+

There is more to YALC than Young Adult. Young Adult crossover is becoming more and more of a thing, and the appeal of a good story isn't confined to one particular age group. It all makes for more choice for us readers, which is obviously good news!

Z is for Zone 

Finally, YALC can be a massive sensory overload, so make time to visit the chill out zone if you need to! It was a lifesaver for us, and we wouldn't have lasted the whole event (or ended up with so many incredible books ❤️📚) without the chance to decompress in between activities. 



“Knowledge and magic. It has been within you all along.”
— Sophie Keetch, Le Fay

I took this photo two weeks ago in Tintagel, Cornwall. According to the legend, Tintagel is the birthplace of King Arthur. It’s also where his half-sister, the infamous Morgan le Fay, was supposed to have spent her childhood. 

Although the legacy of the once and future king owes much more to great storytelling than historical fact, it’s easy to believe in magic at Tintagel! The views are breathtaking, the sea is crystal clear, and the isolated location lends itself perfectly to secret keeping and mysterious sorcery.

After my visit, I really wanted to write something that included a reference to King Arthur. My first thought was to have the Legacy of Androva characters visit Tintagel, but Merlin’s timeline didn’t fit with the Androva-Terra treaty, so I turned to the Light Mage trilogy for inspiration. 

Today’s post is a short story (2.75k words) that takes place approximately ten years before Spell Tracker, the first Light Mage book. By the time Luca and Devin met the High Council, everyone was kind of in crisis mode, and I never got the chance to show what the Master Mages were like before. I wouldn’t change anything that Luca did, but it was still fun to write an earlier scene! 

The Light Mage books are free to download from most stores ($0.99 on Amazon):
Thank you very much for visiting my blog today 💕.

MERLIN, KING ARTHUR, AND A SPELL WEAVER NAMED RAPHAEL 

“I call this meeting of the High Council to order.”

Michael’s voice was raised, his tone radiating authority. Dark brown eyes swept around the table. Five out of his six fellow Master Mages fell quiet immediately, experiencing a variety of emotions as they met his stern gaze.

Uriel, the tips of his red hair still covered in ice from a close encounter with a snowdragon five minutes before the meeting, was relieved he didn’t have to be the mage in charge.

Gabriel’s expression was all polite attention even as her mind continued to run hypothetical spell shot recipes for the Academy of Magic examinations. A braid of light brown hair fell down her back, threaded with gold chains that glinted when she moved.

Raguel and Barachiel, their dark heads leaning toward each other, looked at Michael with wary eyes. Barachiel pushed the back of his hand against Raguel’s wrist, seeking reassurance. A formal call to order never meant anything good. 

Selaphiel was trying and failing to press a smile from her lips. She tucked a strand of blonde hair behind her ear and straightened her shoulders.

Next to her, Raphael continued to speak, his blue eyes flashing with amusement and his voice low and confiding. “So I told him I could neither confirm nor deny such an outrageous rumor, and then he said—ow!”

Selaphiel had interrupted with a sharp elbow to Raphael’s ribs.

He blinked, taking in the silence of the others and Michael’s scowl. 

“Oh dear,” he said. “This all seems very serious.”

“I don’t suppose there’s any chance you could behave accordingly?” said Michael.

Raphael inclined his head. “Of course. You only have to ask.”

“Twice, apparently,” muttered Uriel. The ice in his hair was sliding underneath his collar as it melted, and he suppressed a shiver.

Without missing a beat, Raphael produced a spell shot from his jacket pocket. The contents glowed, ribbons of pink and red liquid curling in a perfect spiral inside the bottle. He handed it to Uriel. “Warming spell.”

Uriel removed the crystal stopper. After a couple of sips, his pinched expression relaxed. “Thanks, Raph.”

“Any time,” said Raphael with a fond smile. 

“I’m curious about the rumor,” said Raguel. “Who is your new alter ego?”

Michael let out an impatient sigh. 

Raphael smoothed his hands over his face and hair. Tendrils of glittering green Spell Weaver magic escaped from between his fingers. Instantly, his features transformed, becoming fine-boned and arrogant, with thin curling lips above a slightly weak chin.

“Rupert Désemparé, at your service,” he said with a smile that showed far too many teeth. “You’ve probably seen me on the mage-net. I’m very discerning and extremely well connected.”

He clicked his tongue and winked. Selaphiel hid a snort of laughter behind her hand.

“Dés… what?” said Barachiel. “What kind of a name is that?”

“It’s from one of the earthbound languages,” said Raphael. He noticed the glare that Michael was sending in his direction and hastily reversed the magical glamour. 

“It means clueless,” said Selaphiel.

Gabriel’s voice was dry. “You don’t say.”

“And has Rupert found anything?” asked Raguel. 

Raphael shrugged. “The usual. Life path manipulation. Watered-down spell shots. But no one has figured out how to beat Michael’s auditing spell, so that’s something.”

This was greeted with murmurs of approval, and Michael dipped his chin in acknowledgment. 

Uriel leaned forward. “What’s the outrageous rumor?”

“Well,” said Raphael with a wicked grin, “Rupert might be a bit clueless, but he has… How can I put this? He has certain skills. In fact, you might say—”

Michael cleared his throat, his frustration obvious.

Uriel’s cheeks turned pink. “Sorry,” he said hastily. “We should probably get back to the meeting.”

Raphael put his hand on Uriel’s arm. “Don’t apologise. It’s my fault.” He turned to Michael. “I’m sorry we got off track. But my undercover activities are Master Mage business too.” 

“Yes,” said Michael, “and I will put them on the agenda at the appropriate time.”

There was a short uncomfortable silence. Michael rubbed the back of his neck. When he spoke again, it was in a more conciliatory tone. “Look, we’re all very busy. The sooner we make a start, the sooner we can return to our respective workloads.”

The silence lightened, becoming expectant. The seven Master Mages had known each other since they were children, and any bad feelings never lasted long. Different as they were, they were each wholeheartedly committed to their roles on the High Council. The protection and prosperity of the magical dimensions always came first.

Michael rose from his chair and walked to the far wall. The room was circular, like the heavy wooden table at its center, and the pale glow of a winter sunrise streamed through a series of tall windows overlooking the city. He stopped beside a large map of the earthbound dimension.

“I’ve been monitoring this issue for a few weeks, and I don’t think it’s going to resolve itself. We need to revisit the balance,” he said.

Tiny glowing dots covered the map. Each dot represented an undergraduate mage in training, living a custom-made earthbound life that would prove their suitability—or not—for their chosen magical profession. Approximately seventy years passed in the earthbound dimension for every year in the magical dimensions. After leaving the Academy of Magic, mages typically lived three or four earthbound lives before graduating in their early twenties.

“The balance?” Barachiel asked. 

“Yes,” said Michael. “The balance between fact and fiction.”

Bemused looks were exchanged. Raphael raised his eyebrows. “I hate to break it to you, Michael, but the earthbound dimension is literally made from spellwork. The whole thing is fiction.”

Michael rolled his eyes. “I’m aware. I’m talking about perception.”

“I still don’t get it,” said Raguel. “Whose perception?”

“Undergraduates.” Michael gestured to the map. “The earthbound dimension is a test of their true selves. A clean slate with no magic, no memories, and no preconceived ideas.” 

“We know. We designed it that way. What’s your point?” said Raguel. 

Michael gestured again, this time with more emphasis. “They are not supposed to believe in magic. Or myths. Or fairy tales in general.”

“Well, of course not,” agreed Raguel. He looked at Barachiel, who murmured agreement.  

“And yet,” said Michael, “the belief is there. And it’s growing.”

Gabriel’s brow furrowed, and she twisted the end of her braid around her fingers. “No earthbound mage can access their magic, and to my knowledge, the binding spell has never failed. Why would they believe in something that doesn’t exist?”

“It’s obvious, isn’t it?” said Uriel. “They want it to be true. I mean…”

He trailed off and caught his lower lip between his teeth. “The idea of magic is impossible to erase. It’s not like we haven’t tried. We did so many trial runs. But no matter how perfect our earthbound memory spells, we always knew something was missing. And we hoped. All of us. Even you, Gabby.”

Gabriel’s nod was reluctant. “I suppose. But Michael is talking about belief. That’s a step beyond hope.”

“A big step,” said Raguel. “Believing in magic is a powerful thing. The binding spell isn’t designed to resist that kind of onslaught.”

“Exactly,” said Michael. He looked around the room, making sure that everyone understood the problem. If undergraduates started using magic while they were earthbound, it could destabilize the entire system, putting hundreds of lives at risk. 

Barachiel leaned back in his chair. “You want to reset the timeline.”

“Yes,” said Michael. “It’s the only way.”

His words landed heavily, and for a moment, no one spoke.

“How far back do you want to go?” asked Uriel eventually. 

“Early twelfth century,” said Michael immediately. He’d been expecting the question.

“That’s nearly a hundred years,” said Selaphiel incredulously.

“All that work,” said Uriel, turning so pale that every single freckle on his cheekbones was clearly visible.

“It’s not so bad,” said Michael. He attempted a smile. “A hundred earthbound years isn’t quite eighteen months in the magical dimensions.”

“You seem very sure about the date,” said Raguel.

“I am. I know exactly what’s causing this.”

“And? Don’t keep us in suspense.”

Michael’s gaze went to Raphael. “King Arthur.”

“What?” Raphael sat up straighter and narrowed his eyes.

“Don’t get upset,” said Michael. “I’m not accusing you of anything.”

“I know you’re not,” said Raphael. “Because King Arthur is a brilliant story and you agreed I could use it.” His gaze moved from chair to chair. “You all did.”

Selaphiel put a reassuring hand on his arm. “Yes, we did.”

“We did,” added Uriel. 

“Yes,” said Raguel and Barachiel together.

“We’re as surprised by this announcement as you are,” said Gabriel.

Raphael considered their responses for a few seconds, and the tension in his spine reduced slightly. 

“I apologise,” said Michael. “I didn’t mean to blurt it out like that. Will you allow me to explain?”

“I suppose so,” said Raphael. “But only because I’ll get lonely on the moral high ground if I stay here too long.”

Michael chuckled. “Would it help if I told you that the problem is because the story’s too good?”

“How shallow do you think I am?” protested Raphael. His mouth lifted. “Please continue.”

“Okay. You are obviously correct that we all agreed. The earthbound dimension in the early 1100s was somewhat lacking in content for Spell Weaver life paths, so you provided inspiration in the form of Geoffrey of Monmouth and his fictional accounts of earthbound history. Which included King Arthur.”

“Geoffrey was fun to play,” said Raphael. “It was complete improvisation. He just made it up as he went along.”

Raphael’s eyes went out of focus as he remembered. “I’m proud of that story. It has everything. Love and betrayal, epic battles, prophecies with dragons, and a king who actually cares about his subjects.”

“And magic,” said Michael. “It has magic.”

“Only to improve the story,” said Raphael. “Merlin might be a little far-fetched, but he’s a great character.”

Gabriel huffed a short laugh. “Michael! You can’t be saying earthbound belief in magic is because of Merlin.”

“I am,” said Michael. 

“Wow,” said Uriel. “He’s not the role model I would have chosen.”

“But what about William of Newburgh?” said Raguel. “He was supposed to be our fall back.”

“Right,” said Barachiel. “William. After Geoffrey died, he was going to expose the lack of real history in Geoffrey’s writing.”

“Which he did,” said Michael.

Raphael made a face. “William was a lot less fun to play. Far too pompous. But I thought I did a good job proving Geoffrey was a storyteller.”

“I remember you practicing your lines,” said Selaphiel. She grinned. “You said only a person ignorant of ancient history would have any doubt about how shamelessly and impudently he lies in almost everything.”

Raphael grinned back. “You have a good memory.” He turned to Michael. “If anyone thought King Arthur and Merlin were real, William should have put them right.”

Michael nodded. “He did. As I said.”

“I feel like there’s a but,” said Raphael.

“The but is Chrétien de Troyes,” said Michael.

“My star pupil,” said Raphael. “The poet. He only graduated recently. His last earthbound life ended in… 1190?”

“1191,” said Michael. “Twenty earthbound years ago. Three months in the magical dimensions. But in that time, his stories have rather taken off.”

“What did he write about?” said Uriel.

Raphael’s blue eyes widened as understanding dawned. “King Arthur. He wrote about King Arthur. He took my idea, and he made it bigger and better.”

“Exactly,” said Michael. “At least, he definitely made it bigger. Whether he made it better is a matter of opinion.”

Raguel and Barachiel exchanged glances. “What did he do?” asked Raguel.

“He added a complicated cast of knights who were always going on impossible quests, and he made King Arthur part of a love triangle.”

“Ugh,” said Gabriel, wrinkling her nose.

Raphael smiled. “It’s tastefully written. And the conflict between love and duty is fascinating.”

“Anyway,” said Michael. “Good or bad, it has captured the earthbound imagination. Undergraduate belief in magic is growing, and we have to do something about it.”

He returned to his chair and tapped the mage-portal in front of him. A few flashes of spellwork later, and all seven mage-portals showed the same screen.

High Council Resolution 257
To reset the earthbound dimension timeline to 1125
Proposed by Michael, Master Mage champion of Spell Masters

There were two voting buttons: Yes and No. 

Everyone kept their eyes on their own mage-portal as they voted. Uriel was biting his lip again. Raguel and Barachiel reached for their screens together. Gabriel’s expression was carefully neutral. Selaphiel let out a tiny sigh as she tapped her screen, and Raphael’s jaw tightened as he did the same.

Michael stared. “What? What? I can’t believe what I’m seeing. Five of you voted No.” 

Raphael was the first to lift his gaze. “Well, obviously I voted No. I’m horribly biased. There has to be a better way to fix this than erasing my story.”

“Bar and I voted No,” said Raguel. 

Barachiel nudged his elbow. “You’re sure about that, are you?”

“Am I wrong?” said Raguel.

“No, you’re not wrong. Resetting the timeline could get very messy.”

Uriel’s voice was quiet but firm. “I voted No. Sorry, Michael, but the earthbound dimension needs stories, and I think we should deal with the magic thing instead of hiding it.”

“I voted Yes,” said Gabriel. “I agree with Michael. The risk is too great.”

Michael looked at Selaphiel. “Ellie? You voted No?”

“I voted No,” she confirmed. “I’m biased too.”

Raphael turned to look at her. “You are? How?”

“I’m Master Mage champion of Healers. Geoffrey’s story—your story—is an inspiration to my profession too. I’ve met several recent graduates who say their earthbound achievements were influenced by Morgan of Avalon.”

Raphael’s teeth flashed in a delighted grin. 

“Try not to let it go to your head,” Selaphiel added.

His grin widened. “I’ll try.”

Michael clasped his hands together and exhaled loudly. “Fine. Resolution 257 is denied. We’ll meet again tomorrow. In the meantime, I would like each of us to consider ways of mitigating the binding spell risk. The best one will be decided by another vote. Agreed?”

“Agreed,” said the others in unison.

“Meeting adjourned,” said Michael. 

As the seven Master Mages got up to leave the room, they prepared to change their expressions and body language. Only in private did they let their guards down. The public face of the High Council was one of detached authority, unmatched magical strength, and absolute unity. 

“Raph,” said Uriel, tugging on Raphael’s sleeve. 

“Yes?” said Raph. 

“You never finished telling us about Rupert.”

“His skills, you mean?” said Raphael with a smirk. He leaned to whisper in Uriel’s ear.

Uriel flushed scarlet. “Oh,” he managed.

“Trust me, it’s the most effective way to get someone to tell you their secrets,” said Raphael. “Beats bribery or threats every time.”

“I believe you,” said Uriel, his voice faint. 

Selaphiel was a few steps behind them, and Raphael turned just in time to see her eyebrows draw together in a frown.

“What?” he asked.

“I was just thinking about all of the characters you’ve created. Does there come a point where you lose yourself?”

Raphael hesitated. “I don’t know. I mean, they’re not me, but at the same time, there’s a part of me in all of them. I hope I can tell the difference.”

“Do you have a favorite?” she asked.

“No. But antagonists are a lot more interesting. If we ever stage a production of King Arthur in the magical dimensions, I’m playing Merlin. No discussion.”

Selaphiel’s smile was a little mischievous. “I think you’d be very good.”

“I’m going to take that as a compliment,” he said, as they followed Uriel out of the room.

And so, the story of King Arthur endured, its place in earthbound history settling somewhere between myth, legend, and truth. The challenge of suppressing earthbound belief in magic endured alongside it, with each new generation of Spell Weavers adding to the story. But as time went on, belief in magic became an excellent motivator for all professions, and in the end, even Michael and Gabriel had to agree that the magical dimensions were the better for it. 



“I pledge to use books to open windows to a thousand different worlds…”
― Cornelia Funke
 
I love discovering new books and the worlds within them. And I especially love the stories that draw me in right away. The ones that push the real world into the background before I’ve reached the end of the first page. The ones I just have to read because I’m completely invested in what happens next.
 
Once a year, I dedicate a blog post to YA books with amazing beginnings. It gives me an excuse to spend a very happy afternoon in a local bookstore adding to my TBR list! This time, however, I decided to do something different.
 
At the end of October, I will be attending YALC (the Young Adult Literature Convention
) for the fifth time, and today’s post seemed like a great opportunity because there are so many amazing authors in the 2026 lineup! I knew I would easily be able to find ten Awesome Openers from amongst their books. In fact, the challenge was keeping it to only ten!

 
I hope there are a few opening lines on my list that you find interesting, and thank you very much for visiting my blog today 💕.
 
1️⃣ If there’s a better way to wait for Farron Banks to be murdered, I haven’t found it.

The Enemy's Daughter, by Melissa Poett

 
2️⃣ I wrap the curtain around my body. It’s blush-pink velvet, soft like the skin of a peach. A repetitive triangular pattern is woven through the fabric in fine gold thread. The penthouse lights are off and I’m lurking in the shadows, watching them for once, tiny black dots in the street below. They carry their cameras on straps across their shoulders. I carry their presence around my neck.

Darkening Song, by Delphine Seddon

 
3️⃣ Lost cause, that’s me.
Heard it, know it, live it.
If there are sides, pick the other one.

Runaway Road, by Sue Divin

 
4️⃣ On a cold Sunday evening in early 1957—the very day, in fact, that Dwight David Eisenhower took the oath of office for the second time as President of the United States of America—Sarah Dewhurst waited with her father in the parking lot of the Chevron gas station for the dragon he’d hired to help on the farm.
“He’s late,” Sarah said, quietly.
“It,” said her father, spitting on the oiled dirt, hitting the cracks of a frozen puddle. “Don’t call it by its name. Don’t tell it yours. It. Not he.”

Burn, by Patrick Ness

 
5️⃣ As we all learnt from the 2003 musical Wicked, appearances can be deceptive.

Showstopper, by Tom Ramsay

 
6️⃣ Overture
For as long as I can remember, we have feared the Players.

Prologue
The mortals made a treaty, to keep the Players South
And when the treaty ended, a wall to keep them out
And if the wall should crumble, then marks will keep us safe
And if our marks should fail us, gods have mercy on our fate

A Stage Set for Villains, by Shannon J. Spann

 
7️⃣ First-day-back assemblies are the most pointless practice ever.
And that’s saying a lot, seeing as Niveus Academy is a school that runs on pointlessness.

Ace of Spades, by Faridah Àbíké-Íyímídé

 
8️⃣ Our selection of Romeo-and-Juliet packages are discreet, professional, and tailored to your needs, with options ranging from meaningful friendship to true love with someone facing similar end-of-life issues.

Just Another Dead Boy, by Kelly McCaughrain

 
9️⃣ Once upon a time…
…there was a girl who knew everything there was to know about fairytales.
Or at least… she thought she did.

Brielle and Bear, by Salomey Doku

 
 
🔟 The horrors gain strength when things in our world are broken.
A bone. A promise. A heart.
So much of what happened took place on the page, in words typed, or scrawled, or carefully composed. I’ve gathered up all the remnants I have, and it seems only right that I finally document everything that happened in between, even if my heart aches to write it. The record must be kept. There is a gap in the archive where this story belongs.
I could start with the horrors. But I won’t.
For me, this story starts …
With him.

Half a Dark Heart, by H. F. Askwith

 
 


“Design can be art. Design can be aesthetics. Design is so simple, that's why it is so complicated.”
― Paul Rand

There’s no denying the appeal of a beautiful cover. It’s such a big part of what draws us to the story inside the pages. I’m in awe of the way cover designers can interpret the heart and soul of a book using a single image. 

And I’m definitely guilty of owning more than one copy of the same book because I fell in love with an alternative cover! Limited shelf space or not, sometimes a new special edition is just too stunning to pass up. 

These days, book covers are mostly consistent across different geographies, especially for ebooks. But there are still a few exceptions, and the difference between UK and US paperbacks is one of them.

Because I love discovering new covers (and also because a blog post doesn’t take up any room on my bookshelves!) I thought it would be fun to compare ten YA books I already own to see if I would have preferred the US cover. UK covers are on the left and US on the right.

I hope you find my choices interesting and thank you very much for visiting my blog today 💕.

1️⃣ Once Upon a Broken Heart, by Stephanie Garber.

This is an easy one! Although the US cover is lovely, I can't help choosing the UK cover because of its fairy tale look and feel, the intricate illustrations, the colours, and the beautiful font. Also, there are foxes, foreshadowing a certain important ballad...

UK 🏆

2️⃣ A Darker Shade of Magic, by V. E. Schwab.

Looking at these two covers, I'm wondering if I can break my own rule and allow a draw! They're both brilliant in their own way. The UK cover focuses on Kell's coat and the colours of London. The maps beneath his feet are a neat way to represent his particular magical ability.

The US cover also hints at the coat, but it highlights Kell's eyes and the stone too. And although it shows Kell's face, there's enough shadow to allow the reader to fill in the gaps with their own imagination. I think, on balance, the US cover is the winner. 

US 🏆

3️⃣ The Crimson Moth, by Kristen Ciccarelli, or Heartless Hunter as it's known across the Atlantic. The taglines, like the titles, are also different:

UK: A moth to flame. A witch to burn.

US: Her deadliest enemy or her greatest love?

The UK tagline is more about the plot, whereas the US tagline is all about the romance. Both covers are beautifully detailed, and the imagery and colours are also similar. However, the US cover is a little simpler and sharper, which for me just gives it the edge over the UK version. 

US 🏆

4️⃣ A Treachery of Swans, by A. B. Poranek.

Although both covers focus on Odile and Marie, the two main characters, they're completely different in both style and tone! It's hard to believe looking at them side by side that the stories behind these two covers are identical.  

I prefer the UK cover because I think the gold and blue colour palette works really well. However, I have to admit that the US cover does a better job of presenting the conflict between Odile and Marie. 

UK 🏆

5️⃣ The Outlaws Scarlett & Browne, by Jonathan Stroud.

The font and layout for the title and author name might be identical in both versions, but the images behind them couldn't be more different. About the only thing they have in common is that they both show the protagonists, Scarlett McCain and Albert Browne.

The UK version shows them at a distance, standing still, silhouetted against a dramatic sunset. The US cover puts them front and centre, running from at least two shadowy pursuers, their faces and hints of personality clearly visible.

It's a tough call, but the UK cover works better for me in showing the dystopian landscape of the story. It's a key part of the challenges faced by Scarlett and Albert and a lot like the Wild West.

UK 🏆

6️⃣ The Wicked Lies of Habren Faire, by Anna Fiteni. 

Looking at the beautiful original illustrations on these two covers, I can only admire the talent of the artists 💜. 

Each cover does an amazing job of representing Sabrina and Prince Neirin. My choice is based on how I think they fit the vibe of the characters and the story (as I experienced them), and the UK cover is a closer match for me. I think the brighter colours and the slight asymmetry of the layout also work really well. 

UK 🏆

7️⃣ The Reappearance of Rachel Price, by Holly Jackson.

OK, so these covers are, on the face of it, very similar! And yet, when you take a closer look, so many of the details have been changed. The US version doesn't use caps for the title. It doesn't have polaroid photos. The fonts at the top and bottom are different. And the background colour is neutral. 

I went back and forth between both versions for a while, but I kept coming back to the UK cover because it looks a bit less cluttered. I also think the blue background is more eye catching. 

UK 🏆

8️⃣ Thorn Season, by Keira Azar.

This one was definitely a more straightforward choice! Although both versions have a rose or roses, I love the illustration on the UK cover. And I've already mentioned how much I like the combination of blue and gold, so on that basis, the US cover was probably never going to appeal to me in quite the same way.

UK 🏆

9️⃣ The Invocations, by Krystal Sutherland.

This is another case of two covers that look as if they belong to completely different books! They're both brilliant in different ways. The UK cover focuses on the main characters and hints at the importance of their relationships with each other. The US cover is all about the conflict and darkness within the story, as shown by the image and also the tagline: Give your demons hell. 

I prefer the UK cover because it does such a good job of showing Zara's mingled determination and desperation. It really gives you someone to root for going into the book. 

UK 🏆

🔟 Of Curses and Kisses, by Sandhya Menon.

Another duo of very different covers to finish. I love both of them.

The accuracy of the characterisation on the UK cover, along with the layout, the colours, and the font with its curling decoration top and bottom, combine perfectly. 

But the US cover is so pretty. The font is unusual, and I think it really works. So does the brightness of the colours and the little details like gold edges on the rose petals. It might not show Jaya and Grey, but I think it wins because the cover taken as a whole just stands out.

US 🏆

Final result:
UK 7
US 3


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