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The Legacy of Androva Series


“Knowledge and magic. It has been within you all along.”
— Sophie Keetch, Le Fay

I took this photo two weeks ago in Tintagel, Cornwall. According to the legend, Tintagel is the birthplace of King Arthur. It’s also where his half-sister, the infamous Morgan le Fay, was supposed to have spent her childhood. 

Although the legacy of the once and future king owes much more to great storytelling than historical fact, it’s easy to believe in magic at Tintagel! The views are breathtaking, the sea is crystal clear, and the isolated location lends itself perfectly to secret keeping and mysterious sorcery.

After my visit, I really wanted to write something that included a reference to King Arthur. My first thought was to have the Legacy of Androva characters visit Tintagel, but Merlin’s timeline didn’t fit with the Androva-Terra treaty, so I turned to the Light Mage trilogy for inspiration. 

Today’s post is a short story (2.75k words) that takes place approximately ten years before Spell Tracker, the first Light Mage book. By the time Luca and Devin met the High Council, everyone was kind of in crisis mode, and I never got the chance to show what the Master Mages were like before. I wouldn’t change anything that Luca did, but it was still fun to write an earlier scene! 

The Light Mage books are free to download from most stores ($0.99 on Amazon):
Thank you very much for visiting my blog today 💕.

MERLIN, KING ARTHUR, AND A SPELL WEAVER NAMED RAPHAEL 

“I call this meeting of the High Council to order.”

Michael’s voice was raised, his tone radiating authority. Dark brown eyes swept around the table. Five out of his six fellow Master Mages fell quiet immediately, experiencing a variety of emotions as they met his stern gaze.

Uriel, the tips of his red hair still covered in ice from a close encounter with a snowdragon five minutes before the meeting, was relieved he didn’t have to be the mage in charge.

Gabriel’s expression was all polite attention even as her mind continued to run hypothetical spell shot recipes for the Academy of Magic examinations. A braid of light brown hair fell down her back, threaded with gold chains that glinted when she moved.

Raguel and Barachiel, their dark heads leaning toward each other, looked at Michael with wary eyes. Barachiel pushed the back of his hand against Raguel’s wrist, seeking reassurance. A formal call to order never meant anything good. 

Selaphiel was trying and failing to press a smile from her lips. She tucked a strand of blonde hair behind her ear and straightened her shoulders.

Next to her, Raphael continued to speak, his blue eyes flashing with amusement and his voice low and confiding. “So I told him I could neither confirm nor deny such an outrageous rumor, and then he said—ow!”

Selaphiel had interrupted with a sharp elbow to Raphael’s ribs.

He blinked, taking in the silence of the others and Michael’s scowl. 

“Oh dear,” he said. “This all seems very serious.”

“I don’t suppose there’s any chance you could behave accordingly?” said Michael.

Raphael inclined his head. “Of course. You only have to ask.”

“Twice, apparently,” muttered Uriel. The ice in his hair was sliding underneath his collar as it melted, and he suppressed a shiver.

Without missing a beat, Raphael produced a spell shot from his jacket pocket. The contents glowed, ribbons of pink and red liquid curling in a perfect spiral inside the bottle. He handed it to Uriel. “Warming spell.”

Uriel removed the crystal stopper. After a couple of sips, his pinched expression relaxed. “Thanks, Raph.”

“Any time,” said Raphael with a fond smile. 

“I’m curious about the rumor,” said Raguel. “Who is your new alter ego?”

Michael let out an impatient sigh. 

Raphael smoothed his hands over his face and hair. Tendrils of glittering green Spell Weaver magic escaped from between his fingers. Instantly, his features transformed, becoming fine-boned and arrogant, with thin curling lips above a slightly weak chin.

“Rupert Désemparé, at your service,” he said with a smile that showed far too many teeth. “You’ve probably seen me on the mage-net. I’m very discerning and extremely well connected.”

He clicked his tongue and winked. Selaphiel hid a snort of laughter behind her hand.

“Dés… what?” said Barachiel. “What kind of a name is that?”

“It’s from one of the earthbound languages,” said Raphael. He noticed the glare that Michael was sending in his direction and hastily reversed the magical glamour. 

“It means clueless,” said Selaphiel.

Gabriel’s voice was dry. “You don’t say.”

“And has Rupert found anything?” asked Raguel. 

Raphael shrugged. “The usual. Life path manipulation. Watered-down spell shots. But no one has figured out how to beat Michael’s auditing spell, so that’s something.”

This was greeted with murmurs of approval, and Michael dipped his chin in acknowledgment. 

Uriel leaned forward. “What’s the outrageous rumor?”

“Well,” said Raphael with a wicked grin, “Rupert might be a bit clueless, but he has… How can I put this? He has certain skills. In fact, you might say—”

Michael cleared his throat, his frustration obvious.

Uriel’s cheeks turned pink. “Sorry,” he said hastily. “We should probably get back to the meeting.”

Raphael put his hand on Uriel’s arm. “Don’t apologise. It’s my fault.” He turned to Michael. “I’m sorry we got off track. But my undercover activities are Master Mage business too.” 

“Yes,” said Michael, “and I will put them on the agenda at the appropriate time.”

There was a short uncomfortable silence. Michael rubbed the back of his neck. When he spoke again, it was in a more conciliatory tone. “Look, we’re all very busy. The sooner we make a start, the sooner we can return to our respective workloads.”

The silence lightened, becoming expectant. The seven Master Mages had known each other a very long time, and any bad feelings never lasted long. Different as they were, they were each wholeheartedly committed to their roles on the High Council. The protection and prosperity of the magical dimensions always came first.

Michael rose from his chair and walked to the far wall. The room was circular, like the heavy wooden table at its center, and the pale glow of a winter sunrise streamed through a series of tall windows overlooking the city. He stopped beside a large map of the earthbound dimension.

“I’ve been monitoring this issue for a few weeks, and I don’t think it’s going to resolve itself. We need to revisit the balance,” he said.

Tiny glowing dots covered the map. Each dot represented an undergraduate mage in training, living a custom-made earthbound life that would prove their suitability—or not—for their chosen magical profession. Approximately seventy years passed in the earthbound dimension for every year in the magical dimensions. After leaving the Academy of Magic, mages typically lived three or four earthbound lives before graduating in their early twenties.

“The balance?” Barachiel asked. 

“Yes,” said Michael. “The balance between fact and fiction.”

Bemused looks were exchanged. Raphael raised his eyebrows. “I hate to break it to you, Michael, but the earthbound dimension is literally made from spellwork. The whole thing is fiction.”

Michael rolled his eyes. “I’m aware. I’m talking about perception.”

“I still don’t get it,” said Raguel. “Whose perception?”

“Undergraduates.” Michael gestured to the map. “The earthbound dimension is a test of their true selves. A clean slate with no magic, no memories, and no preconceived ideas.” 

“We know. We designed it that way. What’s your point?” said Raguel. 

Michael gestured again, this time with more emphasis. “They are not supposed to believe in magic. Or myths. Or fairy tales in general.”

“Well, of course not,” agreed Raguel. He looked at Barachiel, who murmured agreement.  

“And yet,” said Michael, “the belief is there. And it’s growing.”

Gabriel’s brow furrowed, and she twisted the end of her braid around her fingers. “No earthbound mage can access their magic, and to my knowledge, the binding spell has never failed. Why would they believe in something that doesn’t exist?”

“It’s obvious, isn’t it?” said Uriel. “They want it to be true. I mean…”

He trailed off and caught his lower lip between his teeth. “The idea of magic is impossible to erase. It’s not like we haven’t tried. We did so many trial runs. But no matter how perfect our earthbound memory spells, we always knew something was missing. And we hoped. All of us. Even you, Gabby.”

Gabriel’s nod was reluctant. “I suppose. But Michael is talking about belief. That’s a step beyond hope.”

“A big step,” said Raguel. “Believing in magic is a powerful thing. The binding spell isn’t designed to resist that kind of onslaught.”

“Exactly,” said Michael. He looked around the room, making sure that everyone understood the problem. If undergraduates started using magic while they were earthbound, it could destabilize the entire system, putting hundreds of lives at risk. 

Barachiel leaned back in his chair. “You want to reset the timeline.”

“Yes,” said Michael. “It’s the only way.”

His words landed heavily, and for a moment, no one spoke.

“How far back do you want to go?” asked Uriel eventually. 

“Early twelfth century,” said Michael immediately. He’d been expecting the question.

“That’s nearly a hundred years,” said Selaphiel incredulously.

“All that work,” said Uriel, turning so pale that every single freckle on his cheekbones was clearly visible.

“It’s not so bad,” said Michael. He attempted a smile. “A hundred earthbound years isn’t quite eighteen months in the magical dimensions.”

“You seem very sure about the date,” said Raguel.

“I am. I know exactly what’s causing this.”

“And? Don’t keep us in suspense.”

Michael’s gaze went to Raphael. “King Arthur.”

“What?” Raphael sat up straighter and narrowed his eyes.

“Don’t get upset,” said Michael. “I’m not accusing you of anything.”

“I know you’re not,” said Raphael. “Because King Arthur is a brilliant story and you agreed I could use it.” His gaze moved from chair to chair. “You all did.”

Selaphiel put a reassuring hand on his arm. “Yes, we did.”

“We did,” added Uriel. 

“Yes,” said Raguel and Barachiel together.

“We’re as surprised by this announcement as you are,” said Gabriel.

Raphael considered their responses for a few seconds, and the tension in his spine reduced slightly. 

“I apologise,” said Michael. “I didn’t mean to blurt it out like that. Will you allow me to explain?”

“I suppose so,” said Raphael. “But only because I’ll get lonely on the moral high ground if I stay here too long.”

Michael chuckled. “Would it help if I told you that the problem is because the story’s too good?”

“How shallow do you think I am?” protested Raphael. His mouth lifted. “Please continue.”

“Okay. You are obviously correct that we all agreed. The earthbound dimension in the early 1100s was somewhat lacking in content for Spell Weaver life paths, so you provided inspiration in the form of Geoffrey of Monmouth and his fictional accounts of earthbound history. Which included King Arthur.”

“Geoffrey was fun to play,” said Raphael. “It was complete improvisation. He just made it up as he went along.”

Raphael’s eyes went out of focus as he remembered. “I’m proud of that story. It has everything. Love and betrayal, epic battles, prophecies with dragons, and a king who actually cares about his subjects.”

“And magic,” said Michael. “It has magic.”

“Only to improve the story,” said Raphael. “Merlin might be a little far-fetched, but he’s a great character.”

Gabriel huffed a short laugh. “Michael! You can’t be saying earthbound belief in magic is because of Merlin.”

“I am,” said Michael. 

“Wow,” said Uriel. “He’s not the role model I would have chosen.”

“But what about William of Newburgh?” said Raguel. “He was supposed to be our fall back.”

“Right,” said Barachiel. “William. After Geoffrey died, he was going to expose the lack of real history in Geoffrey’s writing.”

“Which he did,” said Michael.

Raphael made a face. “William was a lot less fun to play. Far too pompous. But I thought I did a good job proving Geoffrey was a storyteller.”

“I remember you practicing your lines,” said Selaphiel. She grinned. “You said only a person ignorant of ancient history would have any doubt about how shamelessly and impudently he lies in almost everything.

Raphael grinned back. “You have a good memory.” He turned to Michael. “Anyway, if there was any doubt that King Arthur and Merlin were fictional, William should have put them right.”

Michael nodded. “He did. As I said.”

“I feel like there’s a but,” said Raphael.

“The but is Chrétien de Troyes,” said Michael.

“My star pupil,” said Raphael. “The poet. He only graduated recently. His last earthbound life ended in… 1190?”

“1191,” said Michael. “Twenty earthbound years ago. Three months in the magical dimensions. But in that time, his stories have rather taken off.”

“What did he write about?” said Uriel.

Raphael’s blue eyes widened as understanding dawned. “King Arthur. He wrote about King Arthur. He took my idea, and he made it bigger and better.”

“Exactly,” said Michael. “At least, he definitely made it bigger. Whether he made it better is a matter of opinion.”

Raguel and Barachiel exchanged glances. “What did he do?” asked Raguel.

“He added a complicated cast of knights who were always going on impossible quests, and he made King Arthur part of a love triangle.”

“Ugh,” said Gabriel, wrinkling her nose.

Raphael smiled. “It’s tastefully written. And the conflict between love and duty is fascinating.”

“Anyway,” said Michael. “Good or bad, it has captured the earthbound imagination. Undergraduate belief in magic is growing, and we have to do something about it.”

He returned to his chair and tapped the mage-portal in front of him. A few flashes of spellwork later, and all seven mage-portals showed the same screen.

High Council Resolution 257
To reset the earthbound dimension timeline to 1125
Proposed by Michael, Master Mage champion of Spell Masters

There were two voting buttons: Yes and No. 

Everyone kept their eyes on their own mage-portal as they voted. Uriel was biting his lip again. Raguel and Barachiel reached for their screens together. Gabriel’s expression was carefully neutral. Selaphiel let out a tiny sigh as she tapped her screen, and Raphael’s jaw tightened as he did the same.

Michael stared in disbelief. “What? What? I can’t believe what I’m seeing. Five of you voted No.” 

Raphael was the first to lift his gaze. “Well, obviously I voted No. I’m horribly biased. There has to be a better way to fix this than erasing my story.”

“Bar and I voted No,” said Raguel. 

Barachiel nudged his elbow. “You’re sure about that, are you?”

“Am I wrong?” said Raguel.

“No, you’re not wrong. Resetting the timeline could get very messy.”

Uriel’s voice was quiet but firm. “I voted No. Sorry, Michael, but the earthbound dimension needs stories, and I think we should deal with the magic thing instead of hiding it.”

“I voted Yes,” said Gabriel. “I agree with Michael. The risk is too great.”

Michael looked at Selaphiel. “Ellie? You voted No?”

“I voted No,” she confirmed. “I’m biased too.”

Raphael turned to look at her. “You are? How?”

“I’m Master Mage champion of Healers. Geoffrey’s story—your story—is an inspiration to my profession too. I’ve met several recent graduates who say their earthbound achievements were influenced by Morgan of Avalon.”

Raphael’s teeth flashed in a delighted grin. 

“Try not to let it go to your head,” Selaphiel added.

His grin widened. “I’ll try.”

Michael clasped his hands together and exhaled loudly. “Fine. Resolution 257 is denied. We’ll meet again tomorrow. In the meantime, I would like each of us to consider ways of mitigating the binding spell risk. The best one will be decided by another vote. Agreed?”

“Agreed,” said the others in unison.

“Meeting adjourned,” said Michael. 

As the seven Master Mages got up to leave the room, they prepared to change their expressions and body language. Only in private did they let their guards down. The public face of the High Council was one of detached authority, unmatched magical strength, and absolute unity. 

“Raph,” said Uriel, tugging on Raphael’s sleeve. 

“Yes?” said Raph. 

“You never finished telling us about Rupert.”

“His skills, you mean?” said Raphael with a smirk. He leaned to whisper in Uriel’s ear.

Uriel flushed scarlet. “Oh,” he managed.

“Trust me, it’s the most effective way to get someone to tell you their secrets,” said Raphael. “Beats bribery or threats every time.”

“I believe you,” said Uriel, his voice faint. 

Selaphiel was a few steps behind them, and Raphael turned just in time to see her eyebrows draw together in a frown.

“What?” he asked.

“I was just thinking about all of the characters you’ve created. Does there come a point where you lose yourself?”

Raphael hesitated. “I don’t know. I mean, they’re not me, but at the same time, there’s a part of me in all of them. I hope I can tell the difference.”

“Do you have a favorite?” she asked.

“No. But antagonists are a lot more interesting. If we ever stage a production of King Arthur in the magical dimensions, I’m playing Merlin. No discussion.”

Selaphiel’s smile was a little mischievous. “I think you’d be very good.”

“I’m going to take that as a compliment,” he said, as they followed Uriel out of the room.

And so, the story of King Arthur endured, its place in earthbound history settling somewhere between myth, legend, and truth. The challenge of suppressing earthbound belief in magic endured alongside it, with each new generation of Spell Weavers adding to the story. But as time went on, belief in magic became an excellent motivator for all professions, and in the end, even Michael and Gabriel had to agree that the magical dimensions were the better for it. 



“I pledge to use books to open windows to a thousand different worlds…”
― Cornelia Funke
 
I love discovering new books and the worlds within them. And I especially love the stories that draw me in right away. The ones that push the real world into the background before I’ve reached the end of the first page. The ones I just have to read because I’m completely invested in what happens next.
 
Once a year, I dedicate a blog post to YA books with amazing beginnings. It gives me an excuse to spend a very happy afternoon in a local bookstore adding to my TBR list! This time, however, I decided to do something different.
 
At the end of October, I will be attending YALC (the Young Adult Literature Convention
) for the fifth time, and today’s post seemed like a great opportunity because there are so many amazing authors in the 2026 lineup! I knew I would easily be able to find ten Awesome Openers from amongst their books. In fact, the challenge was keeping it to only ten!

 
I hope there are a few opening lines on my list that you find interesting, and thank you very much for visiting my blog today 💕.
 
1️⃣ If there’s a better way to wait for Farron Banks to be murdered, I haven’t found it.

The Enemy's Daughterby Melissa Poett

 
2️⃣ I wrap the curtain around my body. It’s blush-pink velvet, soft like the skin of a peach. A repetitive triangular pattern is woven through the fabric in fine gold thread. The penthouse lights are off and I’m lurking in the shadows, watching them for once, tiny black dots in the street below. They carry their cameras on straps across their shoulders. I carry their presence around my neck.

Darkening Song, by Delphine Seddon

 
3️⃣ Lost cause, that’s me.
Heard it, know it, live it.
If there are sides, pick the other one.

Runaway Roadby Sue Divin

 
4️⃣ On a cold Sunday evening in early 1957—the very day, in fact, that Dwight David Eisenhower took the oath of office for the second time as President of the United States of America—Sarah Dewhurst waited with her father in the parking lot of the Chevron gas station for the dragon he’d hired to help on the farm.
“He’s late,” Sarah said, quietly.
“It,” said her father, spitting on the oiled dirt, hitting the cracks of a frozen puddle. “Don’t call it by its name. Don’t tell it yours. It. Not he.”

Burnby Patrick Ness

 
5️⃣ As we all learnt from the 2003 musical Wicked, appearances can be deceptive.

Showstopperby Tom Ramsay

 
6️⃣ Overture
For as long as I can remember, we have feared the Players.

Prologue
The mortals made a treaty, to keep the Players South
And when the treaty ended, a wall to keep them out
And if the wall should crumble, then marks will keep us safe
And if our marks should fail us, gods have mercy on our fate

A Stage Set for Villainsby Shannon J. Spann

 
7️⃣ First-day-back assemblies are the most pointless practice ever.
And that’s saying a lot, seeing as Niveus Academy is a school that runs on pointlessness.

Ace of Spadesby Faridah Àbíké-Íyímídé

 
8️⃣ Our selection of Romeo-and-Juliet packages are discreet, professional, and tailored to your needs, with options ranging from meaningful friendship to true love with someone facing similar end-of-life issues.

Just Another Dead Boyby Kelly McCaughrain

 
9️⃣ Once upon a time…
…there was a girl who knew everything there was to know about fairytales.
Or at least… she thought she did.

Brielle and Bearby Salomey Doku

 
 
🔟 The horrors gain strength when things in our world are broken.
A bone. A promise. A heart.
So much of what happened took place on the page, in words typed, or scrawled, or carefully composed. I’ve gathered up all the remnants I have, and it seems only right that I finally document everything that happened in between, even if my heart aches to write it. The record must be kept. There is a gap in the archive where this story belongs.
I could start with the horrors. But I won’t.
For me, this story starts …
With him.

Half a Dark Heartby H. F. Askwith

 
 


“Design can be art. Design can be aesthetics. Design is so simple, that's why it is so complicated.”
― Paul Rand

There’s no denying the appeal of a beautiful cover. It’s such a big part of what draws us to the story inside the pages. I’m in awe of the way cover designers can interpret the heart and soul of a book using a single image. 

And I’m definitely guilty of owning more than one copy of the same book because I fell in love with an alternative cover! Limited shelf space or not, sometimes a new special edition is just too stunning to pass up. 

These days, book covers are mostly consistent across different geographies, especially for ebooks. But there are still a few exceptions, and the difference between UK and US paperbacks is one of them.

Because I love discovering new covers (and also because a blog post doesn’t take up any room on my bookshelves!) I thought it would be fun to compare ten YA books I already own to see if I would have preferred the US cover. UK covers are on the left and US on the right.

I hope you find my choices interesting and thank you very much for visiting my blog today 💕.

1️⃣ Once Upon a Broken Heart, by Stephanie Garber.

This is an easy one! Although the US cover is lovely, I can't help choosing the UK cover because of its fairy tale look and feel, the intricate illustrations, the colours, and the beautiful font. Also, there are foxes, foreshadowing a certain important ballad...

UK 🏆

2️⃣ A Darker Shade of Magic, by V. E. Schwab.

Looking at these two covers, I'm wondering if I can break my own rule and allow a draw! They're both brilliant in their own way. The UK cover focuses on Kell's coat and the colours of London. The maps beneath his feet are a neat way to represent his particular magical ability.

The US cover also hints at the coat, but it highlights Kell's eyes and the stone too. And although it shows Kell's face, there's enough shadow to allow the reader to fill in the gaps with their own imagination. I think, on balance, the US cover is the winner. 

US 🏆

3️⃣ The Crimson Moth, by Kristen Ciccarelli, or Heartless Hunter as it's known across the Atlantic. The taglines, like the titles, are also different:

UK: A moth to flame. A witch to burn.

US: Her deadliest enemy or her greatest love?

The UK tagline is more about the plot, whereas the US tagline is all about the romance. Both covers are beautifully detailed, and the imagery and colours are also similar. However, the US cover is a little simpler and sharper, which for me just gives it the edge over the UK version. 

US 🏆

4️⃣ A Treachery of Swans, by A. B. Poranek.

Although both covers focus on Odile and Marie, the two main characters, they're completely different in both style and tone! It's hard to believe looking at them side by side that the stories behind these two covers are identical.  

I prefer the UK cover because I think the gold and blue colour palette works really well. However, I have to admit that the US cover does a better job of presenting the conflict between Odile and Marie. 

UK 🏆

5️⃣ The Outlaws Scarlett & Browne, by Jonathan Stroud.

The font and layout for the title and author name might be identical in both versions, but the images behind them couldn't be more different. About the only thing they have in common is that they both show the protagonists, Scarlett McCain and Albert Browne.

The UK version shows them at a distance, standing still, silhouetted against a dramatic sunset. The US cover puts them front and centre, running from at least two shadowy pursuers, their faces and hints of personality clearly visible.

It's a tough call, but the UK cover works better for me in showing the dystopian landscape of the story. It's a key part of the challenges faced by Scarlett and Albert and a lot like the Wild West.

UK 🏆

6️⃣ The Wicked Lies of Habren Faire, by Anna Fiteni. 

Looking at the beautiful original illustrations on these two covers, I can only admire the talent of the artists 💜. 

Each cover does an amazing job of representing Sabrina and Prince Neirin. My choice is based on how I think they fit the vibe of the characters and the story (as I experienced them), and the UK cover is a closer match for me. I think the brighter colours and the slight asymmetry of the layout also work really well. 

UK 🏆

7️⃣ The Reappearance of Rachel Price, by Holly Jackson.

OK, so these covers are, on the face of it, very similar! And yet, when you take a closer look, so many of the details have been changed. The US version doesn't use caps for the title. It doesn't have polaroid photos. The fonts at the top and bottom are different. And the background colour is neutral. 

I went back and forth between both versions for a while, but I kept coming back to the UK cover because it looks a bit less cluttered. I also think the blue background is more eye catching. 

UK 🏆

8️⃣ Thorn Season, by Keira Azar.

This one was definitely a more straightforward choice! Although both versions have a rose or roses, I love the illustration on the UK cover. And I've already mentioned how much I like the combination of blue and gold, so on that basis, the US cover was probably never going to appeal to me in quite the same way.

UK 🏆

9️⃣ The Invocations, by Krystal Sutherland.

This is another case of two covers that look as if they belong to completely different books! They're both brilliant in different ways. The UK cover focuses on the main characters and hints at the importance of their relationships with each other. The US cover is all about the conflict and darkness within the story, as shown by the image and also the tagline: Give your demons hell. 

I prefer the UK cover because it does such a good job of showing Zara's mingled determination and desperation. It really gives you someone to root for going into the book. 

UK 🏆

🔟 Of Curses and Kisses, by Sandhya Menon.

Another duo of very different covers to finish. I love both of them.

The accuracy of the characterisation on the UK cover, along with the layout, the colours, and the font with its curling decoration top and bottom, combine perfectly. 

But the US cover is so pretty. The font is unusual, and I think it really works. So does the brightness of the colours and the little details like gold edges on the rose petals. It might not show Jaya and Grey, but I think it wins because the cover taken as a whole just stands out.

US 🏆

Final result:
UK 7
US 3



“Places are never just places in a piece of writing. If they are, the author has failed. Setting is not inert. It is activated by point of view.”
― Carmen Maria Machado

Point of view counts for so much. Change it, and you change the story. 

The Beyond Androva series takes place almost entirely in the world of Xytovia. But thanks to the four perspectives of the first-person narrators, it's a very different Xytovia in each book.

Serena is Androvan with no prior knowledge of Xytovia. Art has grown up in a segregated post-war society with an abundance of rules. Kellan comes from a time before the war when magic on Xytovia was plentiful. For Averine, the war has only just ended, and mage-sickness has decimated the population. Averine is also the only non-magician.

Even when all four characters are in the same place at the same time, there isn't much overlap between their individual perspectives! I loved figuring out the different versions of Xytovia and how the skills and personalities of my characters would influence the overarching story. (Creating four tailor-made villains was also a lot of fun!)

Matched in Magic, the first story, is told by Serena. Her decision to open a portal to Xytovia acts as a catalyst for everything that follows, and it makes sense to discover Xytovia through her eyes before Art takes over for book two.

However, that wasn't my original plan! When I started Matched in Magic, I intended to tell the whole story from Art's perspective. I changed my mind pretty quickly, but even though I'd only written a few hundred words as Art, I knew I didn't want to lose his point of view. Not completely. I liked him, and his backstory was important. There were also a few important things happening when Serena wasn't around. That's when I came up with the idea of one-page journal entries as a way to include a little of Art's thoughts and feelings.

For today's post, I'm sharing the original (non-journal) prologue of Matched in Magic. I hope you find it interesting, and thank you very much for visiting my blog today 💕.


Prologue: Ammartus

“There is no easy way to tell you this. I’m afraid Miss Jonville is dead.”

I heard the words, but they didn’t make sense. Because it wasn’t possible. There had to be a mistake.

My mother’s face was expressionless as she waited for me to respond. Only a slight tension in her jaw betrayed the emotion lurking beneath. What kind of emotion, I wasn’t sure. She would never allow it to reach the surface. 

“I don’t understand.”

I had to force the words past a throat that was tight with panic, and my voice came out sounding hoarse.

Her eyebrows arched. “Yes, you do, Ammartus.”

I sat down abruptly on the edge of the bed. My ribs seemed to tighten until my heart thudded against them with a force that was almost painful.

Maxia Jonville was dead. And I was seventeen next year. I would never find another match in time. 

I hunched my shoulders, feeling ashamed that my first thought was for myself. Even though I had just lost my only chance of becoming a magician, I was still here. Still alive. For now, at least. 

My mother remained in the doorway, assessing me with customary shrewdness, her spine straight and not a single crease in her pale grey suit. Her hair was brown and shiny and perfectly smooth, and her eyes were the muted purple of gathering rainclouds.

She looked exactly the way a bonded magician was supposed to look. Calm. Controlled. Immaculate.

We were nothing alike. My own hair was a sort of dirty blond that gave a convincing impression of never having encountered a comb. My eyes were ridiculously bright, even for an underage magician. And control was not something I had ever possessed. 

The Bonding Spell would have fixed everything. It would have fixed me. Smoothed out my flaws and made me capable. I had been counting the days. 

“How did she die?” I asked. 

My mother let out a tiny sigh, and I knew immediately it was the wrong question.

“That hardly matters,” she said. 

I couldn’t help thinking it probably mattered a great deal to Maxia’s family. 

“You did not know her,” she added.

And now I never will. 

Nevertheless, I got the point. An emotional response was not appropriate. An emotional response was never appropriate.

“What happens next?” I said.

“Your grandfather has called an emergency board meeting. He will make every effort to find you another match.”

A hollow laugh rose up in my chest, and I pressed my lips together to silence it. 

“He won’t,” I said.

“Yes, he will,” she said firmly.

“I don’t mean he won’t try,” I said. “I mean he won’t succeed.”

My mother and I stared at each other in silence. I was her second son, not only in order of birth but in every way that mattered. No one in the Bavois family had ever scored so poorly against the eight criteria used to match one underage magician with another. 

My grandfather’s position on Vayl’s Board of Mages was the only reason the Jonvilles said yes. Every other magical family had politely declined. And a year later, my scores had not improved. 

“Let’s not get ahead of ourselves,” said my mother.

Her tone was infuriatingly calm, even though the tightness in her jaw had unmistakably increased.

“Why not?” I retorted. “We might as well face facts. Without a match, there can be no Bonding Spell. And no Bonding Spell means the removal of my magic. I’ll be a-a—” 

My voice caught. I took a deliberate breath and carried on. “I’ll be a cotidian.”

There. I had said it. The word that summed up my future.

Becoming a cotidian meant everything would change. Having no magic was only the start, and that was assuming I even survived the transition. What would I do? Where would I live? How would I live?

In the space of a moment, my entire education had become worthless. And the population of Vayl was strictly segregated. I’d be amongst strangers. I gritted my teeth. Not quite. They’d be strangers to me, but everyone in Vayl would know exactly who I was. Quite possibly everyone on Xytovia would know. The first Bavois cotidian ever.

“We’ll test you again,” said my mother as if I hadn’t spoken. “I’ll coach you myself.”

“That would be a waste of time,” I said. “For both of us.”

I got to my feet and lifted my chin, daring my mother to contradict me. I’d already had the best professors my parents’ lumien could buy. It hadn’t been enough. I hadn’t been enough.

The humiliation I felt when my scores remained stubbornly unchanged never faded. I could feel it now. Twisting my insides and making heat rise into my face until my eyes burned.

“Don’t give up, Art,” she said, and her tone was softer than before. “We’ll find a way. I’ll come back as soon as the board meeting is over.”

After she closed the door behind her, my hand went to the crystal amulet around my neck. The edges of the stone dug into my fingers as I tightened my grip. They can’t make me take the tests again

They could, of course. They could do anything they wanted. 

Whereas my options, always limited, had just shrunk to almost nothing. 



“‘Once upon a time,’ he said out loud to the darkness. He said these words because they were the best, the most powerful words that he knew and just the saying of them comforted him.”
― Kate DiCamillo

I’m a big fan of fairy tales 🙂. They illustrate the power and importance of storytelling so well. And one of the reasons for their enduring appeal is the way they’re constantly being updated. No matter your age or reading preferences, there’s a fairy tale retelling out there somewhere that delivers.

My Five Fairy Tales series has been a brilliant excuse for me to discover retellings written for a YA audience. After previous posts about 
Beauty and the BeastRapunzel, and Rumpelstiltskin, today I’ve chosen Sleeping Beauty. (I might have been influenced a little bit by Averine and Kellan in Lost in Magic!)

Most of the traditional fairy tales have more than one origin story, and Sleeping Beauty is no exception. The Brothers Grimm published their version—Little Briar Rose—in the early nineteenth century. However, the earliest story dates back all the way back to the fourteenth century and features a princess named Zellandine alongside a man named Troylus. It’s part of a much longer piece but includes several familiar elements, including an enchanted sleep triggered by a piece of flax from a spinning wheel.

Apparently, Zellandine was cursed when one of the goddesses invited to the celebration of her birth was given inferior cutlery! Another fascinating detail is that Sir Lancelot, a famous knight from the Arthurian legend, is described as being descended from Zellandine and Troylus.  

Sleeping Beauty can be reimagined in a lot of different ways, and 
I was spoilt for choice when I researched books for today’s post. 

I hope there’s a book on my shortlist that you find interesting, and thank you very much for visiting my blog today 💕.

Savage Beauty
, by Casey L. Bond

Some inheritances are deadlier than others.

There is so much going on with this book! The beautiful cover, two Sleeping Beauties (twins Aura and Luna), their intriguing backstory, the magic they wield, and the fact that Prince Phillip’s brother (Luna’s love interest) was killed by Aura before the story even begins. 

Aura and Luna, the twins, are almost eighteen. They inherited a curse from the dark faery who exploited their mother’s desperate desire to have a child. In the first couple of chapters, Aura is presented as an evil serial killer who will stop at nothing to ruin her sister’s life. Luna, on the other hand, only wants one person dead. (Aura, in case that’s not obvious.) Prince Phillip is searching for his missing brother and is seemingly oblivious to exactly how dangerous Aura’s magic can be. I’m looking forward to finding out the truth behind those opening scenes!

Here's a short extract from the beginning of the book:

One by one, people began disappearing from the palace and from our lives. It wasn’t until I watched her kill the woman who had raised us without a flicker of hesitation, that I realized it had been Aura making them disappear. It was always her. She’d been killing for years, slaughtering anyone who got in her way. 
The mattress dipped under her weight. My blood began to boil. It took everything in me not to backhand her off the bed.
“Do you miss him?”
My eyes snapped open, fixating on her radiant smile, her sunshine hair. She spoke of him as casually as she would the weather. Aura laughed as if she knew what I’d been thinking.
“Sleep walk with me.” Rising from the bed, she took a few steps and glanced over her shoulder, waiting for me to join her. “I think I’ll let him join us today,” she offered.

A Long, Long Sleep
, by Anna Sheehan

Sci-fi Sleeping Beauty.

I love the idea of a fairy tale set in space. After all, science fiction and magic aren’t that dissimilar to each other when the technology is really advanced. In this story, sixteen-year-old Rosalind (Rose) gets stuck in stasis for sixty-two years before her reanimation sequence is accidentally triggered by a boy called Brendan. He panics, thinking he’s killed her, and tries resuscitation (which is a neat way to incorporate the infamous kiss).

Millions died in the Dark Times while Rose was asleep, including her parents. She’s alone in this new and unfamiliar world. The people who assumed control of her parents’ business, UniCorp, aren’t necessarily delighted at the prospect of handing it back. And there’s something sinister lurking in the wings, something that’s more like a computer than a human being, and Rose’s reappearance has gotten its attention in the worst of ways.  

Here's a short extract from the beginning of the book:

“She has no family.” That was the older male.
“She has UniCorp, and that means me,” said the younger one. “Imagine waking up to discover she’s the sole surviving heiress to an interplanetary empire!”
“We aren’t an empire,” was the older man’s gruff reply. “Honestly, Reggie, I think you have delusions of grandeur.”
“Well, who do you think should be responsible, then? You?” There was no response, so the younger man continued. “This is mostly your fault, anyway. This would be so much easier if you’d left well enough alone. If you’d let me sign her over to the social services anonymously, it wouldn’t even be in question. It’s not as if anyone would believe her story.” He sighed. “I don’t know why we even had to tell the board, or the state. We could have given her a new identity. I doubt her memory’s very strong.”
“Because that wouldn’t be
right,” said the older man, with a bite to his words that kept even the imperious one from arguing. 

Kingdom of Thorns
, by Katherine Macdonald

True love but with free will and absolutely no damsels in distress.

I was drawn to this one because although the beginning is quite similar to the original Sleeping Beauty, the main characters are not. They might be living in a fairy tale, but that doesn’t mean they’re beholden to the stereotypes.

Prince Leopold (Leo) has volunteered to rescue the princess from her cursed slumber not for glory or riches but to protect his brothers and his kingdom. He makes it clear that he sees the princess as a person and absolutely not as a prize. His guide in this endeavour, Talia, doesn’t hesitate to speak her mind and obviously knows what she’s doing when it comes to surviving the dangers of the evil forest. 

The stakes are high from the outset. Many others have tried and failed to rescue Briar-Rose, and the majority were lost to the forest in the process. Almost one hundred years have passed since the start of the curse, which means the evil fairy is about to escape. That’s not good for Leo’s neighbouring kingdom and all of the people he cares about. I’m already rooting for him, and I’ve only read the first couple of chapters!

Here's an extract from the beginning of the book:

Dawn crackled along the horizon, like ribbons of liquid fire. Morning dew coated the ground. Leo tried to enjoy it, but he couldn’t shake the growing feeling of dread as the blackness of the forest grew larger. He doubted he would see much sunlight in there. What if this was the last true sunrise he ever knew?
“Nervous?” asked the old man.
“I’m about to enter a deadly forest by myself that has an impressively high mortality rate. Wouldn’t you be?”
The old man hooted. “Honest
and amusing. You’ll do well.”
“I fail to see how either of those things will help me in there.”
“I don’t know, humour wards off insanity, or so I hear.”
“You’re really selling this experience for me.”

A Wicked Thing
, by Rhiannon Thomas

What happens after Sleeping Beauty opens her eyes?

Princess Aurora has woken from the curse, but that’s far from the end of her story. Her kingdom is broken, everyone she knows is dead, and the random prince who kissed her awake is definitely not her true love. 

The opening chapters of this book focus on Aurora’s disorientation as she tries to understand what happened while she was asleep. The prince, Rodric, seems to be one in a long line of royal gate crashers who have tried to wake her over the years. She’s greeted by an overwhelming crowd of people that includes Rodric’s parents, the king and queen, who announce she will now marry their son. The queen in particular is unlikeable and more than a little overbearing. 

And the weight of expectation is significant. The end of the curse is supposed to return magic to the kingdom. Rodric is supposed to be Aurora’s true love. Everyone is supposed to live happily ever after. But something tells me it’s not going to be so simple, and I’m looking forward to finding out how Aurora regains her autonomy.

Here’s an extract from the beginning of the book:

A heavy wooden door waited at the end of the staircase, blocking out all sound from beyond. Aurora stared at it. She had not walked through it in years, not since her father decided that even the rest of the castle was unsafe for her. It was longer than years now. Lifetimes. The door had marked the way out, the way to freedom, for her whole quiet little life. What was it now?
Rodric’s hand hovered over the brass knocker. The moment lingered, and then he nodded, once, and pushed. The door slid open, just an inch, wobbling as though uncertain whether to swing forward or slam shut.
“Well?” A sharp voice cut through the gap. “Is she awake?”

Sleeping Beauty’s lesser-known younger sister.

I’m so glad I downloaded the sample chapters of this book because it’s an original take and looks like a lot of fun 😊. Imagine a scenario where Sleeping Beauty’s parents were so upset by the spinning wheel curse that they asked one of the good fairies to do something to protect their second daughter, Annie, from ever suffering the same fate. Then imagine that the fairy’s solution was to make Annie completely and utterly impervious to magic. 

On the face of it, not a bad solution, right? Except that magical gifts are the norm in the kingdom of Treecrest, at least if you’re a member of the aristocracy. Whenever the lords and ladies get within a few feet of Annie, their unmagical selves reappear, and suffice to say, none of them think this is a good thing. Even Annie’s parents would rather stay young and beautiful than get too close to their daughter. 

When the curse is inevitably activated, Annie is the only one in the castle not affected. She sets off to find her sister’s true love, teaming up with a handsome prince in disguise while encountering lots of familiar characters from other fairy tales. Annie seems like a great protagonist, and I think she’s going to be more than equal to the challenge!

Here's an extract from the beginning of the book:

Annie joined another pair of guards and stayed with them while they finished inspecting the tower and the rooms below it. She knew she should go see her sister, who was probably still unwrapping presents, but she wanted to avoid having to listen to her go on and on about Prince Digby, the man Gwendolyn would probably marry.
Her parents both said that Gwendolyn and Digby were suited for each other. The magic of his own fairy godmothers had made him as handsome as Gwendolyn was beautiful. But Annie was convinced that by concentrating on his appearance, the fairies had forgotten a few very important qualities: Digby had as much intelligence as a block of stone and an equal amount of compassion for others. Annie didn’t like him, and he didn’t like Annie.


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